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Actually, I never followed
Batman comics continuity, it just doesn't interest me all
that much. I just know the main events and characters that
are important to understand separate stories and spin-offs,
and appreciate some allusions (Jason, the Golden Age, the
Crisis)...
In fact, I discovered Batman thanks
to Tim Burton's film, featuring Jack Nicholson. Even despite
the obvious (to me) flaws of the film, I've been very
impressed by its world and atmosphere, and wanted to know
more about the franchise.
I read my first Batman comic, "The
Killing Joke", in 1989. I know it's seen as a masterpiece
but I didn't like it much, mostly because to me it demystifies
the Joker. "Arkham Asylum", by Grant Morisson and
Dave McKean, and especially "The Dark Knight Returns" by
Frank Miller, really did give me what I was looking for,
and made Batman an important character and symbol for me. |
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Puzzles can be an art
form. Why can the general public admire a painting's composition,
technique and intent, and not a puzzle's ? They're careful
craftworks, beautiful and full of meaning. Why are art forms
about seeing (paintings), about smelling (perfume), about
touching (sculpture), about hearing (music), or about
tasting (gastronomy) commonly recognized, and not what's
about something much more important than any of our five
senses :
our capacity to think ?
Lewis Carroll was
first and foremost a mathematician who loved problems, games
and puzzles. Descartes was a logician who enjoyed logic riddles
and paradoxes. History's greatest thinkers
and artists all liked to play with abstract concepts,
and to challenge their own intellect with complicated problems.
Why shouldn't we ? |
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For some reason, recent
comics writers have that idea that the Riddler belongs to the
past - to the Golden Age and the TV series. Batman comics getting
darker and darker since the seventies, the Riddler has become
some sort of embarrassment : generally
treated as a "has-been" villain, he's shown as a campy (yet
smart) nerd, trying hard to stay among the costumed
criminal elite. He's comic
relief, because his modus operandi is seen as campy, immature,
and dated.
This is a big mistake. The Riddler is all
about media manipulation, ciphering and deciphering, misleading
clues, double meanings, deceptive appearances, and the power
of the mind... aren't our times much more appropriate for the
Riddler than the Golden Age ? If a classic Batman villain
should be at ease in our age of computers everywhere, virtual
reality, video games and the Internet, it's the Riddler. |
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The Animated Series, despite
Bruce Timm's dislike for the Riddler and the limitations
of the series format (short episodes and young audience), understood
this. Its Riddler is smart, calm, sarcastic, knows how to please
and use the media, and has huge programming and hacking skills.
Like in the very first Riddler appearance in the comics, his
riddles aren't a pathological weakness, but a way to trick Batman
into the wrong direction, to cheat him. Why would riddles
be terrifying in a film like "SE7EN" or in a movie
series like
"Saw", and be nothing but camp into Batman's universe ?
This web site, I hope, pays tribute
to that Riddler : a smart, serious, worthy, complex and
interesting character - like the Riddler from the "Riddle
me That" story from "Legends of the Dark Knight".
Most of the time, that tribute will be made through games
and puzzles, but will also make use of stories and characters,
to make the site a much more complete and enjoyable experience.
I
trust you'll like it. |
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